With Congress continuing to have congress with the public, BJP neither helping the Bharatiya Janata nor allowing anybody to Party, and thinking having left all leftist thinkers, the time seems ripe for a new formation.

In walks Narendra Modi in a spotless kurta-pajama and Lalit Modi in a spotted tie and his (only?) grey suit. There’s an eager silence as Lalit Modi unfolds a (thankfully) small piece of paper and reads from it…

I, Lalit Modi & he, Narendra Modi, have realized that we are India’s most capable administrators. We have, therefore, decided to launch a new political party – Modisattva. The party will work for peace, prosperity & high TRPs. I hereby declare the Modisattva party open. Any questions folks?

Reporter : Hi, I’m from the Pioneer, so I’ll ask the first question, heh heh. So, Mr. Modi, why have you decided to leave the BJP? And you Mr. Lalit Modi. Why are you leaving the IPL?

Narendra Modi : Well, for a party that calls itself right-wing, the BJP is getting too many things wrong. Our terrorism plank backfired. We tried Ram and got rammed. In fact, the elections results were such a joke that the party is now in splits. I believe it’s time to move on.

Lalit Modi : As for me, I’ve not really left the IPL. After all Mr. Narendra Modi here is Indian and he wants to be a Premier who’s in a League of his own. So it’s all the same thing. Basically, I’m a Commissioner. Where there is commission, there there is Modi.

R : Narendrabhai, isn’t Lalit Modi a strange choice of partner?

NM : Of course not. Gandhi said, “First the ignore you, then they ridicule you, then they fight you, then you’ve won.” Currently most people ridicule Lalit and fight me. So we’ve nearly won.

A reporter behind a veil (used to be a reporter behind a wail) : I’m Burqaah Dutt from SOB TV. How do you feel after riots resulted in so many deaths while you were CM? Will people ever feel safe under you?

NM (dismissively) : Please. The riots were just an isolated event.

LM : And my events were an absolute riot. Hehe.

NM : All these accusations are just media fabrications. When I run this country, I’ll ensure that people aren’t given wrong information about such happenings. As the people’s representative, I’ll ensure that there are no misprepresentations. All riots in the future will be scheduled so that they get maximum TV coverage. Everybody will get to see the truth unfold. We call it Prime Time Pogromming.

LM : Unscheduled riots will be rare. We shall have bunches of people armed with sticks in every city and village. They will break out into a menacing dance whenever there is a sign of any trouble. You could call them fearleaders. Now, that should help keep the peace.

Lalit Modi smugly steps out to smoke a quick strategy break.

R : Er… what about external threats?

NM : Tell me, once we devote enough attention to terrorizing our own people, why would terrorists even bother coming here? Like James Bond, they will decide to live and LeT die.

Burqaah Dutt leaves the room in tears and another reporter takes over.

R : This is Eugene from DNA. You said there would be prosperity along with peace. What steps do you propose to take towards this?

NM : We will have a two pronged strategy – Sops for the rich and credit for the poor. All industries will be given tax breaks, and subsidized land. Some people may call such a strategy an ana-crony-ism but I say – you can’t lather up the economy without some sop.

R : What about the poor people then? Won’t you be taking away their land?

NM : What do they need land for? I’ll give them money. Easy credit will be made available through a new financial institution called the Votebank of India. They can freely borrow and spend. And before every election, I’ll waive off the loans. In this way, I will be unwavering in my principles and waivering in my actions.

Lalit Modi returns, takes his place and surveys the gathering with a grin.

LM : We’ll thus have Citi moments of success as well as Village moments of success.

R : This is Mani from Economic Times. If you give sops to the industrialists and free credit to the poor, won’t the nation go broke? Owning a Mint doesn’t necessarily make money, as our rivals in HT found out. Where will the money for all this come from?

LM : Let me answer this one. Advertising is the key. We will raise money through sponsorships. Everything will be sponsored and branded. States, cities, mountains, rivers whatever. In any case, we keep making meaningless changes to the names of our cities. I say, let’s make it meaningful. So we’ll have Viagrajasthan, Zandu Balmbay, Raybangalore, Playwindhyas & Digjamuna. The map of India will look like Times Square. This is what I call ad-ministration. In rural areas, even people will be branded. Kissan, for instance, has evinced interest in branding every single farmer. After all, our constitution does talk about universal adult franchise.

R : This is Tara, from Society. What about social freedom. Do you plan to continue BJPs rather draconian policies on morality, censorship, etc.?

NM : Listen, you are all children of the state. And like any parent, the state wants to keep you innocent, obedient and compliant. I’m a pop who won’t let you paap. Liberty, Equality & Fraternity are all things of the past. We believe in Sobriety, Conformity & Paternity. Remember we are a Republic, not a Reprivate. So public opinion will rule over private preferences. And I represent the public. So my private thoughts become public policy, and my public pronouncements control private behaviour and… errr (confusedly), Lalit, do you want to add to this one…

LM : But not to worry, do what you like. All digressions will be punished only by fines. We call it the Cash for Sins scheme. Live it up, but pay up. This is our fine formula which we are currently er… refining.

R : I’m Chittaranjan Dash from Telegraph, so I’ll keep my question short. What about foreign policy?

NM : Look, as a country we were left-aligned, tried to get right-aligned, and pretended to be centre-aligned or in fact, non-aligned. Nothing has worked, so we will try out the only alignment remaining – justified. We’ll do what we want and justify it later. Truly out-of-the-box thinking. In a box setting.

R : This is E.V.R. Reddy from DC. As I’ve chronicled so far, you have promised sops for the rich, dole for the poor, private sponsorship of public property, and public control of private life. And all this with justification. Interesting. So how do you plan to promote this party?

NM : I will traverse the length and breadth of this country. I’ll reach the heights of oratory & plunge the depths of morality. Everywhere I’ll kindle public anger by ranting about the ills of the current government. In a sense, it’ll be series of rave parties. Which will be done in a Wrath Yatra.

LM : This Wrath Yatra, will be capsuled and telecast as a reality show – The MTV Modis. We will also extensively use the internet. With the number of bans we plan to impose, taking banners is quite easy for us. And like Ayodhya, we’ll also do a few site-captures. The funds for these will come from our corporate cronies, who will help us with our hoardings.

NM : That’s all for the time being folks. As you see, we have a dream. Of a country with fast-paced growth. Supported by sponsorship. Let me assure you, no stone will be left unthrown, in our quest for peace, prosperity & high-TRPs.

LM : Yes. You could say, our vision for India is 20-20.

Disclaimer – This post is entirely fictitious. It contains not a modi-cum of truth. But who knows. The two fictional gentlemen do share a common love for autocracy, intolerance & big business.

If you liked this post, you may want to read some other encounters like Ramalinga Raju on Trial, Shivraj Patil & Sardar Patel, Manmohan Singh calling Customer Service, and Ramadoss meeting Devadoss.

Instead, in true swadeshi style, let’s institute our own Bharatiya Oscars – The Bhaskars. After all, in India, drama, action & comedy aren’t confined to the movies. They are played out in glorious 3-D in all aspects of our life. So here is my list for the 2008 Bhaskars…

Best Story – A Deputy CM demonstrates his adherence to the law by falling in love with a former assistant advocate general. Unfortunately he already has a wife. The Hindu lovers become a Muslim couple – Chand Mohammed & Fiza. Once he has got into her Nikaahs, he decides to go back to his first wife. Fiza attempts suicide, accuses him of rape, and his family of occult practices but Chand is unmoved. He divorces her through SMS and she gets a role in a Bollywood movie. For this fascinating saga involving politics, law, love, religion, crime, horror, glamour & technology, the Bhaskar Award for Best Story goes to Chander Mohan a.k.a. Chand Mohammed for “Fiza Ke Liye”.

Best Screenplay – A bunch of plutocrats indulge in a decadent auction. The auction ends. The action begins. Chargers run out of power. Fancied teams are Royally Challenged. Vijay Mallya sulks. Preity Zinta hugs some Kings. Shahrukh hugs Shoaib. Vijay Mallya sulks. Cheerleaders entertain the crowds. Shiv Sena sulks. Mumbai crowds get folk dancers instead. Harbhajan behaves like a Silly Bhajji. Sreesanth sobs. Preity Zinta hugs him. Vijay Mallya sulks. Akshay Kumar lands in a chopper. Set Max shows a billion ads. Shane Warne leads the most unfancied team to the trophy. Everybody is happy. Except Mallya, that is. For a heady cocktail of money, glamour & action and for ensuring that everybody shamelessly played for the screen, the Bhaskar Award for Screenplay goes to Lalit Modi for “Paisa Bhi Hota Hai”.

Best Music/Song – It was composed by the Songh Parivar and performed by the Ram Sena. Strongly influenced by the Culture Club, it is a lilting malady. The artists used thumping beats and indulged in serious head-banging. It played in many pubs and hit the top of the charts on Valentines day. The Bhaskar for Best Music goes to Pramod Muthalik for his message to youth – “Hurry Home Hurry”.

Best Actor in a Supporting Role – He didn’t want the responsibility of being the star, but played a significant role in the development of the plot. He played the perfect counterfoil to the government. i.e. He countered every move and foiled every plan. For a scintillating performance in which he acted as if he supported the government, the Bhaskar Award for Best Supporting Actor goes to Prakash Karat for “Chowringee Lane to China.

Best Editing – A good script can completely collapse if it is not cut to perfection. A shining example was the Olympic Telecast. An unconventional editing technique was used whereby all interesting action was cut. The audience had to imagine the action by seeing the prize distribution. DD, like any good editor, took us, the audience, on an emotional rollercoaster ride. We wept when rowing was shown instead of gymnastics. We cursed when athletics was cut in favour of Greco-Roman wrestling. We laughed at the “expert analysis”. And we were inspired everytime we saw Vijender punch the air to the tune of Chak De India. Live telecast was transformed by radical editing into a dead telecast. The Bhaskar for Best Editing goes to Doordarshan for “Dekh Sake Tho Dekh Lo”.

Best Costumes – His authority may have been loose but his collar was buttoned. His policies rankled but his sleeve was creased. His words were meaningless and few. For he was a man of Achkan. He faced diplomats with polish (on his shoes) and terrorists with boldness (in his checks). For bathing us in his sartorial splendour, the Bhaskar Award for Best Costumes goes to Shivraj Patil for “Dhoti, Kapda aur Makaan”.

Best Action – He asked for Maa Ki Dal, but got into trouble. He prayed for Man-ki Shakti. And-drew Symonds’ rage. Everybody told him to shut up. So, like Hellen Keller, he decided to let his hands do the talking. His opportunity came when a team-mate showed some cheek on the field. He responded to the cheek with some slapstick comedy. Unfortunately nobody found it funny and he had to face a suspension with disbelief. For a resounding performance that brought tears to the eyes of Sreesanth, the Bhaskar Award for Action goes to Harbhajan Singh for “Thappad Phad Ke”.

Best Actor in a Leading Role – He was over 70 years old, but willing to take up a leading role. Surrounded by friends who were actually enemies and enemies who were actually, well, enemies, he sailed his way with indifferent elan. There were bombs, controversies, recesisions, betrayals, and general pandemonium but he responded to everything with studied, emotionless, underplay. A thoroughly professional actor, he listened to every single thing, his directorji told him. For a convincing performance of acting as if he was leading the country, The Bhaskar Award for Best Actor in a Leading Role, goes to Manmohan for the highly ornamental role he played in “Singh is Bling”.

Best Director – This year, the award goes to not a mere director but a managing director. It’s a story of one man against society. Of a man who defied conventions. A man who fought for his principles. Accounting principles, that is. Who believed that books are not salads to be left uncooked. Who fought against the norm that employees should have a corporeal presence. Who refused to hear his conscience because he had some Auditory problems. It’s a saga of human dreams that would have enraptured even Sigmund Fraud. The best director of the year goes to Ramalinga Raju for “Scamasutra”.

Best Picture – A magnum opus for which 552 villains were assembled (unfortunately, there was no money left-over for heroes). By any stretch of imagination it is the longest movie ever made – 5 years approximately. It’s a movie with no story but lots of plots – devious plots. It’s a fluid script with many actors staging walk-outs. There is no action but lot of motion(s). And commotion. With over 500 people shouting concurrently, the audio levels were so high that even the Speaker packed up. The movie had a message. That while the country is forced into socialism, the parliament operates as a free-market. For 5 entertaining years of bedlam, the Bhaskar Awards for the Best Picture goes to the 14th Lok Sabha for “Chor Machaye Shor.”

Lifetime Acievement – The one actor who never seems to leave the stage is Deve Gowda. He has had a rich career in which he has acted in numerous mega-hits. He played the indifferent CM with a profit motive in “No Aankhen Bara Haath”. He captured the spirit of a villager who fluked his way to Delhi in “Ragi Ban Gaya Gentleman”. He portrayed the social worker who opposed infra-structure in “Viroadi”. And a million other such roles. He has a wealth of experience and now an experience of wealth. For amassing an incredible amount of er… wisdom in one lifetime, the Bhaskar Award for Lifetime Achievement goes to Deve Gowda.

That wraps up the 2008 Bhaskars folks. Do send in nominations for 2009.

Disclaimer : All characters and events mentioned above are purely a figment of the petrified author’s imagination.
A marked resemblance (pointed out by PM) in the name of the awards to Christy Bharath’s initiative to spoof the Oscar winners is completely unintended and remarkably coincidental.